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The Burlesque Hour
fortyfivedownstairs, Melbourne; The House Of
Finucane & Smith
Friday, August 8, 2008. Opening Night Performance. Review by KARLA DONDIO.
Until September 14. Bookings: www.fortyfivedownstairs.com |
The Burlesque Hour is a full banquet of
clever parody, hyperbole and good old fashion subversion; all dished up with a side
serving of soup and strawberries, literally.
Moira Finucane is an unassailable presence: she always takes her characters to the edge
and teeters them there, manically, much to the audiences delight. Her collaboration
with Jackie Smith has made for some of the best moments in burlesque cabaret. Not only are
their inspired creations comical and entertaining, they comment on more subterranean
issues. For example, when Finucane walks out, composed and demure, in a white gown and
proceeds to drink and spill tomato soup, one experiences the psychological violence behind
the objectification of women.
Yumi Umiumare is also compelling to watch. What some performers dont seem to
understand is that a great idea needs to be executed with keen understanding and actual
ability. Its such a delight to watch a physical performer who demonstrates such a
high level of proficiency as well as succeeding in being droll and subversive. Its
worth seeing The Burlesque Hour just to see her poignant exposé of the woman in
a suit.
Azaria Universe and Maude Davey, with a guest spot by some effervescent kitties
Holly Durant and Harriet Ritchie, complete this bevy of illustrious and talented women.
I only had a couple of indigestible moments during this show. I felt that Universes
spoof to Total Eclipse of the Heart was a little too long therefore lost some
of the earlier hilarity. Having said that, I think it got the biggest cheer on the night.
Also, I couldnt find the comedy or otherwise in Daveys rendition of Chris
Isaaks Wicked Game. I wasnt sure if her unsteady vocalisation was
intended or not. Her physical performance, however, always hit the mark and the unusual
way she eats strawberries made up for everything else.
The performances on the night were supported by aptly chosen music which provided further
exuberance. And well done to the production staff who had the chaotic task of cleaning up
after some of the more gastronomically-charged performances.
If I could say anything to up and coming burlesque artists, and audiences alike, I would
say check out Moira Finucane and company to see how burlesque cabaret is really done.
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